Last comments DispariesTL

awesome flow vicky. 5

epic anime & song combo! better than so much entrys in top 1O from that. 5.

you should be most daring in your projects, this looks one between of a lot in the same style

fave action amv of fma vikye. 5.

well mate this was made by G4nzo

COOL CONCEPT DUDE!

5.

Such a awesome sync work. Some transitions could be better but i really enjoy. 5.

Claro que tinha que ser Connan né Gonçalo?
Muito bom.

So let's start with the elements of the narrative. We have one man who mourns over his friend's death, another one in a "secret" place with amnesia. And here, it starts with a supernatural touch, since the place is full of "life itself", like floating eyes, infinite installation, mirrors that censure, teleporter and know if the most there is? - revealed only at the end - in a kind of purgatory, but wait: is purgatory real life? And is it a supernatural institution? But since there is no map to be created alone, there is the mystical element in history. But what is he? He is a person, he is a serial killer, to do his things a little, but represents exactly what? Is it a kind of fundamental manifestation by the dead friend, for whatever it is? So, if it is mysterious, you can be a serial killer (this is part of the assumption that the place is an alternate reality, considering the fact that it is one of them, with all these ontological characteristics, and judging it with phrases, and not just to kill him but the opportunity for the friend to submit as hands? However, a little more attentive to details, it is noted that the place is a mind of the serial killer, which was put into a machine. What is so problematic?
All you did was a formula for doing the three acts: the first act (the one who makes the place, the death of the friend and the character without the memory), the second, the second, the death of the friend and the climax, with the main character - I assume it is - killing the antagonist. Here are the problems. The first is a lack of narrative simplicity - and the exaggeration of it. The look is overly bright and orange, with unreal and terribly polluted cores. This causes the viewer to appear in any detail, with the same speed as the events are played, in search of connection with the rhythm of the music. The story follows a straight line of evolution. Arcs are neglected, events have never been explained. And there are many examples of systems in which weight and help such as mother and father do not have access to a woman and a daughter. The year is 1972, a technology is 2092.
Ah, how does the mind of the antagonist, why does he ceaselessly ask the protagonist of the companion, when the antagonist is desperate not to do it?
But this is so conceptually speaking.

my vote is troll

g4nzo wrote:
umika moved in the coffin after that akross

AMV com pagode e tu quer falar o que?

no bad

Sick dude, my fav from the contest!

Great edition! Enjoy!